Monday, December 1, 2008
ONE April Saturday in 1965, an economist at the American Stock Exchange was taken by a friend to an orchestral rehearsal at Carnegie Hall. He watched impassively as Leopold Stokowski, the aged Hollywood maestro who conducted “Fantasia”, stop-started Gustav Mahler’s Symphony No.2 in C minor all afternoon. The economist thought little of it until later that night, when, sleeplessly, he tossed and turned, haunted by the music he had heard. Next morning he bought a ticket and at the concert “just found myself sobbing, absolutely hysterical”.
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